Sound: 2 cameras timecode synced; wireless with appropriate wind protection and gain on talent, recording in-transmitter for seamless capture of the entire run.
CT Public Broadcasting:
"Unforgotten: Connecticut's Hidden History of Slavery | The Music of Sawney Freeman"
1 Emmy Nominations
LocationSound: boom and/or wireless for interviews. Music captured via bridge-mount lavs on violins and viola, head mic on flutist, ribbon on cello and stereo ribbon for full ensemble.
Post Sound: I mixed each performance using the stereo ribbon as the base, with individual instrument ISOs layered to as needed to balance and enhance performances.
MLB & BBC:
"Felix White: Major League Calling"
For: DGA Productions
Sound: 2 cameras timecode synced with wireless feed; boom and wireless on talent, boom and plant mics for ambient.
Selective Insurance:
"Picture This Campaign"
For: The Union Productions
Location Sound: boom and wireless on talent
Post Sound: denoised, dereverbed and balanced talent dialog; mixed music and sound effects per client specifications. Output entire spot to broadcast loudness standards.
CT Public Broadcasting:
"Where ART Thou?" Seasons 1 & 2
2 Emmy Nominations
LocationSound: 2 cameras timecode synced; boom and wireless on talent, location feeds where applicable. IFB send to director; wireless comms for camera operators.
Vehicle Sound: two plant mics for host with phone/Skype interface. Wireless communication between lead and picture vehicles; IFB transmit to lead and chase vehicles; radio comms between crew vehicles.
Architectural Digest:
"Ready For Renovation"
For: Conde Nast
Sound: 2 cameras, timecode synced; mainly wireless on talent with boom support
Creative Dimensions:
"Director's Cut"
For: Colony Video
Sound: main camera timecode synced with wireless feed; boom and wireless on talent, wireless plant mics, and practical "podcast" mic. Cameos from my 664 and headphone DA.
